Peter Norfolk on his photographs: "These photographs form chapters in a larger project attempting to understand how war, and the need to fight war, has formed our world: how so many of the spaces we occupy; the technologies we use; and the ways we understand ourselves, are created by military conflict."
A quote from the interview:
People seem to think that I’m saying oh, they’re full of gods, or look, this is where god lives... But obviously I don’t think that. I don’t think that those computers are somehow unprogrammed by humans, or supernatural. What I’m concerned about is that those humans, who have programmed them, aren’t warm and fuzzy professors like The Nutty Professor. They're introverted people working in the basements of DynaCorp, and General Dynamics, and Raytheon, and they’re so far beyond any kind of democratic control that you or I will ever have over what they do.
It ends up being like a relationship with the sublime – a military sublime. All of the work I'm doing, I might even call it: "Toward a Military Sublime." Because these objects are beyond: they’re inscrutable, uncontrollable, beyond democracy.
Incredibly eloquent, powerful, well-thought, articulate. Interview at BLDGBLOG