and of course, here it is. to be listened to right after let x=x.

the sun's setting earlier and earlier.

I come home at 1:30 each night, but it doesn't feel like work, it feels like part of the natural rhythm of things, a breathe in, a breathe out. I come home at 1:30 each night, but it doesn't feel like work, it feels like part of the natural rhythm of things, a breathe in, a breathe out.

--

er, yeah.

--

honestly? honestly I'd like to grab a drink with dear friends, grasp them and talk about their lives in the glow of manhattan's skyline, argue about movement, manifestos maybe, things that make you go tick in the night. honestly I'd like to talk about what bothers me, the things that really bother me, the things that upset me and make me really sad, the things that make me really happy, the things that I can't decide upon, and then I'd like to ask you yours, her hers, him his. and then we can sit on a stoop, elbows resting on knees, absentmindedly ripping labels off of bottles, curling them into little brassai involuntary sculptures. that's what I'd like to do, yes. and that's what I will do.

--

in this miasma all I can think about is of-

honestly? honestly I'd like to grab a drink with dear friends, grasp them and talk about their lives in the glow of manhattan's skyline, argue about movement, manifestos maybe, things that make you go tick in the night. honestly I'd like to talk about what bothers me, the things that really bother me, the things that upset me and make me really sad, the things that make me really happy, the things that I can't decide upon, and then I'd like to ask you yours, her hers, him his. and then we can sit on a stoop, elbows resting on knees, absentmindedly ripping labels off of bottles, curling them into little brassai involuntary sculptures. that's what I'd like to do, yes. and that's what I will do.

--

in this miasma all I can think about is of-