boundaries

in

I've been thinking about Infinite Jest and Southland Tales often, but less about the movie and more of the general mood it evokes. At the intersections of their venn diagrams lies a certain je ne sais quoi, atmosphere, attitude, feeling, touch, like a casual twist of the head seen far away on a street. No, it's less of an atmosphere and more of an remnant of invocation, like the smell of stale coffee lingering in a room where someone just smoked, or the faint smell of burnt-ness in a pot of overcooked rice. Delillo and Pynchon share this sense as well.. sprawling metropolis, deliberately fragmented narrative..

The other day someone asked me if I wanted to be an artist. I replied, "yeah, I guess? at the time. In actuality, however, I would like have replied and said "yeah?" with the end of the word -ah? rising upwards and upwards into the sky without end, like tail recursion unkempt and infinite. Some sort of answer=question=I don't the fuck know. What does that word mean? I feel like I haven't heard it said out loud in a long time.

I feel strange lately, like I'm unable to distinguish between exterior and interior, inside and outside. My eyes are turning transparent. I am becoming porous.

posted by provolot on November 28, 2007 10:11 pm |
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Delillo! My first exposure to his writing about a month ago... I saw a recently completed short play of his called "The Word for Snow" at Steppenwolf during the Chicago Humanities Festival. It was really wonderful... and certainly spoke to the remnants of an invocation... post 9/11, Katrina etc.

porous, interior/exterior, boundaries, globalization blues I wonder... though I can't be as poetic sounding as you *chuckle*. Feet too firmly on the ground.

Will you be around town December?

Hey! I will certainly be around in December. For how long is uncertain; I might leave for Korea on the 23rd, or I might stay here entirely. Not sure yet. Will you?

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